How To Audition For A High School Play Or Musical

How To Audition For A High School Play Or Musical 
by Eric Theigs 
www.stageoflife.com
www.BroadwayBreakThru.com 

Today's blog post comes from Eric Thiegs, Founder and CEO of www.StageofLife.com. 
Thank you for your contribution and for sharing your wisdom and experience.

I'm a 37-year-old director of a high school musical theatre program, and I have some audition tips for you young actors looking to perform in your fall or spring theater productions.

But first, I have to set this up for you.

I love what I do. Seriously...directing at the high school level is probably one of the things, after my wife and daughters of course, that makes the biggest and most inspirational impact on my life year in and year out.

And no, I'm not a professional director or actor.

--I acted in an AFTRA commerical once.
--I did two regional runs with the touring company of an Off-Broadway show.
--I made some major call backs during my 20's (one very close for a national TV show).

But guess what...it wasn't in my stars to be the star, and I'm okay with that.

I've found that my role is to help young talent find their inner voice and hopefully give them a little encouragement to pursue acting and the arts after high school. I know enough to have passion about my job and hopefully fill the role of a mentor here and there but I fully expect my kids to find professionally trained acting instructors in college who will take them to the next level.

But all of that aside, fall approaches and I have a new round of talent ready to audition.

This year, I want to pass along some auditioning tips.

This audition advice comes from witnessing over 1000 students audition for me over the last nine years for roles in South Pacific, Footloose, Once Upon a Mattress, Bye Bye Birdie, Beaty & the Beast, Wizard of Oz, High School Musical, Little Shop of Horrors and this year...Les Miserables.

It by no means is a comprehensive list of audition wisdom but it's definitely the top areas that need improvement by young thespians. Take a look and please add comments for other tips, suggestions, etc. that you've experience during the audition process:

Eight Audition Tips for the High School Actor

1. Memorization is Key. If you are asked to deliver a monologue or sing a song from memory, you better make sure you know both inside and out. No cheat sheets or crib notes. If you forget a line, don't panic. Just keep going and think on your feet. You need to show the director that you can perform under pressure and keep your cool.

2. Don't Just Stand There. I can't tell you the number of times I've sat through an audition where the person simply stood in one spot with her hands behind jer back. You have to "act." Use the stage. Use your body. An actor controls both his voice and his body so make sure you are not just standing there with hands behind back, or worse, in your pockets.

3. Look at the Director. It's interesting when an audition starts and I find a young actor suddenly start looking off stage right or stage left as they roll into their monologue, as if they are delivering the monologue to an invisible person next to them. It's interesting because the young actor has no idea that the purpose of the audition is so that I can see them...the invisible person does not care believe it or not. So don't use your profile in the audition - deliver it full on to the director in the audience.

4. Project. Well...this one is a no brainer but again, there are been some fairly talented people I've seen come through auditions but with little to no projection. This is theater people, push and project your voice into the theater. Fill the auditorium. It's going to be hard to place you in a show if I can't hear you. And no...this does not imply that you need to yell during the audition. Project from your diaphram and use a normal speaking style based on the monologue you're presenting, but make sure the person sitting in the last row can year you.

5. Personality. There's something called the "X" factor or often the "It" factor. Some kids have it. Others don't. But if you don't, that's okay, you'll still make the show if you've got some half decent acting or singing chops. But when you only have one shot at making a positive first impression during the casting process, the thing that you have to remember is this...show a little personality during the audition. Be yourself. If the director asks you how your day is going, don't just say, "fine" and then stand. That's your opportunity to show off a little bit. Give the director a taste of the real you.

6. Smile. Nothing kills an audition for me than a student walking onto the stage with a flat line mouth. It's okay. I'm not going to bite. Have a little fun with the audition and smile...it'll definitely help with the nerves.

7. Breath. When you feel like your nerves are going to get the best of you, just take a big deep breath, let it out slow and smile at the end. Seriously.

8. Don't Take It Personally. You have to walk into that audition with the attitude that you've already been cast, and be prepared to not take it personally if you don't make the cut. If you can do those two things, all of the pressure on having to perform in the audition will start to dissolve and you can focus on the experience itself without wondering about the afters and what-ifs. Stay in the moment and don't take the process personally. If you do...you're not cut out to be an actor.

Eric Theigs
http://www.stageoflife.com/?tabid=72&g=posts&t=282

How to Write an Acting Cover Letter

by David Petro

www.BroadwayBreakThru.com

 As I discussed in my very first blog post "Agent Advice", one of the leading questions I am asked is about obtaining an agent. One of the essential elements when submitting your materials to an agent or manager is your acting cover letter.  Like all first impressions, your cover letter will set the tone for your future relationship with your agent. Here are the key elements for cover letters for acting agents and talent management companies.

1. Make sure your letter is typed but signed by hand.
2. Your name and contact information should appear at the top of your acting cover letter, along with the date.
3. Your letter should be addressed to a particular acting agent or acting manager within the agency or talent management company you're writing to. Do your research ahead of time and find out the name of the person you should submit to. If you're looking for acting representation in theater, film and television, ask for the name of the acting agent in charge of the adult theatrical division. If there is more then one, pick one. You don't have to include the agent's name in your salutation, but avoid using the impersonal phrase "To Whom It May Concern".
4. If you were referred by a casting director or a client of the acting agent or manager, mention that right away in your acting cover letter (and note it on the envelope too). If you are submitting your headshot and resume to this particular acting agency or manager because they are looking for your type or a special skill you possess, also mention that right away.
5. Briefly mention that you are looking for representation.
6. Give a quick highlight of your most impressive credits. If you can be seen on stage or on screen in the near future, make sure to mention that (along with an RSVP number for complimentary tickets). If you're starting an acting career and don't have any credits yet, give the most impressive recent highlights of your career, whether it's an important callback, audition, actor showcase you appeared in, or even a workshop you took with a casting director.
7. Wrap up your letter on a positive note, repeating your contact information.

Too many actors have a pleading tone when they write their first agent acting cover letter. When you're writing to an agent, remember you're the one who has a product to offer. The agent will make a commission on the roles you get, so avoid any begging and write with the confidence that you have a great product to sell. 

Mainly keep it short, to the point and positive. 

Everyone at Broadway Break Thru wishes you much success and happiness with your new agent and making your dreams your reality!

NERVOUS NELLIES

NERVOUS NELLIES

by David Petro

www.BroadwayBreakThru.com

When teaching, the most common questions I am asked is, "How can I get rid of audition nerves?" I'm sorry to say I don't believe nerves every go away completely. The process of auditioning, and being judged by a group of people you don't know, is frightening at best. The trick is to not let your nerves control your performance.

Experience and preparation are going to be your best friends. The more you audition the more comfortable you will become. The more opportunities you have the more you will be able to think of your auditions more like a performance. Audition like it's your chance to perform for new people who are forced to sit and listen. Take the pressure of getting a job out of the equation and add your joy and love of performing.

Being prepared, having appropriate material and being confident in your work are key factors. As I always say, auditions are like dating. You always want the one who doesn't want you. You want the person who walks in the door, bursting with confidence, owns the room and leaves you wanting more.

"No More Excuses"

www.BroadwayBreakThru.com

Today's post comes from MP Talent Management Group's, Malinda Petersen 

"NO MORE EXCUSES"

Originally Posted August 21, 2012

Did you clarify your goal for your performance career?  Did you accompany it with five or six action steps?  You still can.  From the wise words of a Facebook friend’s post: Success occurs when your dreams get bigger than your excuses.

If your goal is to audition more, let’s examine what to consider when auditioning.  There is the standard take your head shot and resume.  You should also take your sides (the part of the script you’ll be reading) but you’ll need them memorized when possible.  But just being prepared with the obvious tangible tools is only part of your required preparation.  Like anything in the professional world, there is an established etiquette you are expected to follow.  Of course, if you are new to something, you most likely don’t know what this behavior is, so you often have to learn the hard way, by making mistakes.  But, life is short.  We really don’t have time to make all the mistakes in the world, so we need to pay attention to the mistakes of others and learn from those.  It’s really rather efficient this way.  

Last week I had the opportunity to work with a group of 9-16 year olds who were recording an audition.  For many of them this was the first time they were auditioning for something on camera — or even performing in front of a camera in a formal setting.  Think about the first time you have done anything.  (No. Seriously.  Take a moment to think back to learning to ride a bike or read a new language or do an algebraic equation or cook a new recipe … )  You probably had some anxiety about the new task because you’d never done it and you didn’t know what the outcome would be.  That’s completely understandable.  Generally our fear is that we will fail on some level – that something bad will happen.  

I sensed this from the students.  Keep in mind that as children we are always in a position of learning, but as we grow we get used to having quite a few answers.  This can inhibit us from the risk of trying something new because we are not as open to learning.  But with young students, they are just used to learning something new on a daily basis.  However, every student had some level of nervousness when it was his/her turn to record.  So I asked the students, “Why are you nervous?”  The answer was always, “Because I’ve never done this before.”  Fair answer. 

Next question: “What bad thing do you think will happen?” “Um. … I’ll mess up?”  “Sure.  You could mess up, but we can delete that take and do it again.”  “Oh.”

Wheels would turn, we’d record a few takes, they’d sit down for the next actor to read, and then at the very end almost every student wanted to do it again.  Why?

Because they learned that they could!  Each actor auditioned, nothing bad happened, in fact only good resulted because I showered them with compliments and let them watch a bit of their tape, and voila!  They felt a level of success.  And, this is the important part, they wanted to do it again, but they wanted to do it BETTER!  They understood the basics: where to stand, where to look, how loud to speak, what a slate is, to say thank you at the end.  They then wanted to apply all that to their newly gained confidence that comes from the success of doing something for the first time.  (Not doing it well, necessarily, but just doing it.)

Think about your auditions in the past year.  Did you walk into the room with confidence?  Did you greet the casting director with a simple hello?  Did you hand the assistant a neat copy of your head shot and resume (8x10, stapled, color photo on photo paper)? Did you listen to her instructions on where to stand, where to look and when to start?  If the instructions weren’t given, did you ask those simple questions?  Did you deliver your performance to the best of your ability?  Did you say thank you and politely leave when you were finished?  Fantastic!  That’s all you can do.  Audition and forget.

Now, if you’re not doing those things, what are you doing?  Are you walking into the audition room digging in your bag, fixing your hair, turning off your cell phone?  Are you walking right up to the CD and offering your hand and engaging in small talk?  Are you dropping your sides, asking to start over, apologizing for messing up, appealing for sympathy for that scraggly cough that you just can’t get over?  (Blogger’s note: I’m wincing with embarrassment for you if you are doing any of those things.) 

I’ve just provided you with some dos and don’ts.  Learn the don’ts without doing them.  Apply the dos to your next audition.  Really what you want to be working on when preparing for an audition is the choices you’re making for your character.  The etiquette will be second nature, but what you really want to show the casting director is that you can create another person and commit to those choices in your performance.  That’s when you will get direction in an audition and be asked to do it again making a few adjustments.  That’s when you will be professional.  Eliminate the excuses and dream big!

Click here to visit Malinda Petersen's web site 

The Acting Technique That Will Set You Free (and Land You Roles!)

http://teenactorslab.com/ - Teen Actor's Lab Video Blog

The Teen Actor's Lab is applauded by many of New York and LA's top Casting Directors, Agents and managers and their clients work on hit shows like Big Time Rush, 90291, Suits, Chuck, Entourage, bored to death, Damages, Desperate Housewives and more. With their passion and experience, they have skillfully guided hundreds of tentative, timid newcomers to become confident, technical, risk-taking artists. Co-owner Sarah Gaboury is on world renown acting coach larry moss' list of recommended teachers.

Is Your Social Media Branding Working?

Originally Posted: September 18, 2012

This week's blog is courtesy of Deborah Richmond

Is Your Social Media Branding Working?

 

Is your online marketing working?  How can you tell?  Do people know you exist? Can they find you online?

Here's how you can find out if your social marketing is working. It's really simple.

1. Google yourself.

When you do, does the first page show any links that lead to you?  If it does, you're doing a good job of online branding. If it doesn't, you've got more work to do.  How can you make sure you come up on page 1 on Google when you Google your name? 

2. Get more content out there.  Do any or all of the following:

Post more on Twitter.

Blog more.

Connect your blog to Facebook. 

Update your LinkedIn profile.

Create a podcast.

Make some YouTube videos.

When I Google my name or the name of my business, you will find a listing for my website. You also see listings for my podcast, my blog posts, my Facebook page, my LinkedIn profile, and my YouTube videos. 

How did this happen? I create content all the time. Every week I'm putting something out there. Google has noticed.  If someone is looking for my business on the internet, they are going to find it right away.

This type of branding works, whether you own a business or are working to have your individual name be seen more often in your industry. Get your content to show up when someone Googles your name or the name of your business.  Plain and simple.

________________________________________

Deborah Richmond, owner of TekkBuzz Marketing, a social media and lead generation company.  She consults and speaks professionally about the use of social media and strategies to magnetically attract new business. Deborah is the author of the ebook, "Pump Up Your Profits with Social Media." She can be also be found on iTunes where she hosts a podcast called "The Tekkbuzz Social Marketing Podcast". 

Click here for Deborah’s website.

Agent Advice Pt 3

AGENT ADVICE

by David Petro

www.BroadwayBreakThru.com

Part 3 of 3

What Should I Expect Once I Get An Agent:

1. Agents work for you but you must work for yourself first. The work load is 30% agent and 70% yours. Your agent will help steer your career but you must drive.

2. Keep your agent updated with headshots, resumes, contact information, current performances and classes your attending.

3. It is essential your agent know when you are out of town or unavailable to attend auditions. Time is a luxury not afforded the entertainment industry. Wasting the little your agent has is your first step out the door.

4. After auditions ask for feedback. This will show your agent you are interested in improving, booking work and allow your agent to invest your development.

5. Keep lines of communication open, comfortable while avoiding desperate, unnecessary ploys for attention.